Ja vas lyublyu: A Tribute to Tchaikovsky on His Birthday

Ja vas lyublyu!
Thank you, Tchaikovsky, for teaching me how to say "I love you" in Russian. It comes in handy when I'm trying to impress people with my linguistic skills. =)

But, more than that, Tchaikovsky has shaped most of my appreciation for music. Since "The Nutcracker" takes up more than half of my time during the months of September, October, November, and December, it's safe to say that Tchaikovsky's music is one of the most important in my life. As a ballet student I've seen (and heard) "Swan Lake" countless times. Not that that's a problem at all, my gosh of course not! My favorite (to dance)... the four little swans.

Let's not forget his amazing operas!!!!
My gateway into the Russian opera world: Eugene Onegin. One of my favorite bookhttp://youtube.com/watch?v=ZhQr7w055-Ys, containing one of my favorite heroines is also an opera (not like you didn't know!) that takes everything to the dramatic extreme! Oh, how glorious.
I will not fail to mention his other operas, Iolanta and The Queen of Spades. Let's linger on The Queen of Spades (Pique Dame) for a moment. That baritone aria, OH THAT BARITONE ARIA. It's like heaven wrapped in chocolate...especially when Mr. Hvorostovsky is singing it!


Oh, that Tchaikovsky. Never fails to amaze.


Happy Listening!!!! =)

I'm Dreaming of an Onegin Christmas!!!

Word has reached my ears that the perfectly perfect "Eugene Onegin" telecast/moviecast from last season is going to be released on DVD just in time for Christmas!! It can be pre-ordered now on Amazon.com!! It's numero uno on my Christmas list!!!!

Happy Listening!!! =)

Tchaikovsky's Eugene Onegin Moviecast

(Just for the record it's pronounced "Yevgenee Ownyaygin")

What a miraculously, amazingly perfect performance! This being my first Russian opera and my first opera in a movie theatre, maybe I shouldn't be talking, but it was just fantastic. Renee Fleming was a dream as Tatiana! What it must have been like to see/hear her in the house, I can't even imagine! Her Letter Scene was simply amazing! I loved how she ran around the stage with leaves in her hands, it was great! I don't care what people say about her, when she tries she is the best! Her tone is perfect and throughout the opera it was flawless. What miraculous work.
Dmitri Hvorostovsky never really caught my attention, UNTIL NOW! Holy moly! It was amazing. He looked every bit as snobbish and jerk-ish as he was supposed to in the first two acts, and then in the final act (when he totally loses it) he looks enraptured and then heartbroken. His singing was unbelievable and it helps that he's good looking. During the polonaise he gets to take his shirt off for a costume change on stage and my friend and I were at the edge of our seats with our jaws dropped. HELLO MR. HVOROSTOVSKY. But he was a jerk to Tatiana, so he can stay heartbroken =P.
Anyway, the rest of the cast was glorious! Ramon Vargas as Lensky was a stroke of genius. What a warm tone! Lately I've been sort of disappointed with some of the tenors the Met has produced, but I wasn't here! What a pleasant surprise! How sad that he has to get shot by his best friend =(, that's the only downfall of the opera. I would have liked to see Lensky live and ONEGIN SHOT! (what a jerk Eugene is, psh) Elena Zaremba's Olga, on the other hand, was slightly disappointing. The acting and attitude was just right, but the singing was a little off. It bugged me that the character was not a soprano because then she sounds too old. Zaremba was, I regret to say, quite a bit wobbly, but enjoyable none-the-less. Sergei Aleksashkin was a wonderful Prince Gremin. His aria almost stopped the show, and rightfully so, it was glorious. Gergiev....Gergiev...there's nothing to say, really, without going overboard! It was perfect, don't let anyone else conduct it!!!!

I'm not so sure if you're supposed to, but I clapped with the audience sitting in the Met. I was one of few who did so, but I wasn't ashamed. It's boring to sit there and listen to other people clap, I wanted it to be like I was right there with them. Most people in my theatre clapped during the curtain calls, but no one dared to let out a "bravo." And it's hopeless to try and see it live AT the Met because the last two performance's are completely and totally sold out =(. Maybe next season???
As for the movie aspect of it, I felt it was mostly good. I would really prefer less "in their face" approach to the singers, I'd rather see the whole stage then just one singer's face for five whole minutes, because the whole stage is what the real audience sees. Some times pulling back is a good thing! However, seeing shots of the orchestra clapping for the performers was charming and I loved seeing the house in it's full glory. Watching the audience during ovations was fun and it really got you into the whole experience.

For anyone who has never gone to one of these moviecasts should definitely go! It was wonderful, my friend and I enjoyed it immensely. And for anyone who has never seen or hear Tchaikovsky's Eugene Onegin absolutely should! It's a masterpiece!